• Introduction:

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    Original imagery as taken by AJS Gems.

    This is part 1 of 3 in a series of a study of corundum specimens. This document entails a study using micrographs and various non-destructive study and examination with instrumentation available. This document details observations as noted, along with supporting imagery.

    The first specimen examined was a purple sapphire disclosed as being heat treated in a manner that virtually all sapphires are treated in (with some rare exceptions). The specimen was also disclosed as originating from Madagascar.

    Objectives:

    The following objectives were defined in this study.

    1. Is the stone examined in fact natural or synthetic?
    2. Is there any evidence of additional of different thermal enhancements other than those disclosed at the time of sale?
    3. Is there any evidence to support the origin of this stone?

    Background:

    There is very little information that is conclusive as to purple sapphires that are published and readily available. What information that is available online collectively is conflicting or inconclusive as to properties of synthetics with respect to UV fluorescence, chemical composition, etc.

    As with any synthetic corundum, strong fluorescence of certain colors denotes a synthetic. This particular specimen appears to glow pink to pinkish red under exposure to UV-A using a hand held UV lamp. Many sources cite this as being a tell tale sign of a synthetic. However, the GIA published an article in Gems and Gemology citing a moderate to strong fluorescence in purple sapphires from Pakistan. The material used in the study was said to be in the range of light purple to shades overlapping amethyst and plum colors. It also cites origins of like material to be from Tanzania, Ceylon, etc.

    Based on that source, the test for UV fluorescence is inconclusive as to the stone being natural or synthetic, and it doesn’t conclude the origin to be Madagascar or anywhere else. So as such, we have another possibility of origin.

    Much is published citing vanadium as being the coloring agent for purple sapphire, and other sources suggest this to be what is responsible for making some sapphires change colors. Other sources suggest the purple being the mixture of a sapphire and a ruby. In such a case, titanium with chromium would blend in the aluminum oxide matrix, and accept iron as a toning agent to produce a certain color. In either case, it would be a rare combination of elements to combine as such to produce this material. Regardless, many sources say that where rubies and sapphires are found, purple sapphires are found as well. This would imply (at least) that is possible for this stone to be from Madagascar since it is a known source for both rubies and sapphires.

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  • Over the past several months, due to various enhancements amongst various colored stones, the demand for untreated or unenhanced stones has increased. If a stone is in fact unenhanced, there can be no question as to what treatment has or hasn’t been applied to it. However, pending on what type of gem we’re talking about, these are more or less common-and priced accordingly.

    I came across some piece of information that said if you wish to tell if an aquamarine is heated or not, a gemologist with a standard loupe can tell. If you’re very lucky, and/or you’re looking at a rough specimen, that may be one thing. The only stones that I’ve seen that have been said to have been unheated looked more like green beryl than they did aquamarine. In case you’re wondering, green beryl is the same chemical composition as an emerald, except they are much cleaner and significantly less saturated in color. A lot of times, aquamarine rough comes out of the ground in a unique shade of green.

    Well, do you want a green aquamarine or do you want a blue aquamarine? The overwhelming majority of buyers want blue, and not green. So if it’s blue it’s heated. Is it?

    Consider the following 2 images:

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    20090111_190746 Read more…

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  • The following is to illustrate certain artifacts with opals and to provide some general and technical information about them. There are more varieties than you typically see in most retailers, and there are a lot of synthetics out there. There are also a lot of doublets and triplets on the market.

    While either a synthetic, triplet or doublet might be attractive and affordable to many, they are not naturally. What’s worse is that most people don’t know the difference, and some entities will sell certain items without disclosing and explaining what these things mean. That’s the bad part. The other bad news is, if you want something natural, and good, anymore you’re going to pay for it if it’s of quality and pending the size and specifics.

    Natural opals anymore have become quite expensive pending on the exact type. Yes, there is more than one type of opal. Pending what kind of opal it is, and it’s particulars, you will pay more or less for it. They were quite popular during the 1980’s as they have a myriad of colors which fit into the outrageous trends of the time. So suddenly they became popular, and they were relatively more affordable than they are now. The demand increased, the mines in Australia are simply not producing as much material. The strength in the Aussie dollar against the US dollar forced a doubling in the prices alone, so something had to give. That something was the quality and the rise of synthetics with the exception of certain higher end jewelers.

    I’ve always been a fan of the more unusual stones, and things you don’t ordinarily see. The illustration below is a natural opal showing no evidence of enhancements that was purchased from AJS Gems. This is a 0.97 carat trillion cabochon magnified 45x.

    20081123_234108 Read more…

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  • The following is a brief and exploratory study of a 3.87 carat yellow tourmaline I purchased from www.ajsgems.com Gems some time ago. The methodologies involved are non destructive and include microscopic testing as well as some imagery coupled with long wave UV testing. I thought I would share at least some of the more interesting pictures I obtained, and a few artifacts that threw me for a loop-but in a good way.

    Yellow tourmaline is more or less a collectors stone, and anything particularly of gem quality of a carat or better is considered a collector size stone. The rough is often incredibly included, so there is little yield as a result. This study is meant to be a brief version of a more complete study of like kind that may or may not be published later on. These are simply the highlights and some things that are of interest.
    I made the mistake of wiping the stone with a lotion containing tissue after rinsing it, hence why I could never get a good face up shot. It’s all dirty as a result, but it is remarkably clean for a yellow tourmaline-especially of this size. The polariscope without the polars crossed shows a slight pleochroism, but under various lighting conditions I have noticed a more obvious pleochroism within the stone. I can also tell you that it is uniaxial negative with a chronoscope, which is consistent with yellow tourmaline by pretty much any account I could find.
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  • The following is a brief study using microscopic imagery regarding a pink tourmaline specimen from AJS Gems that was acquired some time ago. This was originally documented as a study of 3 tourmalines; most of which were acquired from AJS Gems. There will be a 4th study conducted in a like manner at a later time to include another specimen. A more detailed study or addendum to this might be published at a later date perhaps.

    This following images depict a 4.16 carat pink tourmaline, and it was disclosed as being from Nigeria and unheated. The very strong and intense pink colors have been said to originate from Nigeria, and don’t need heating as a result. There is an absence of orange undertones, but in certain lighting conditions, you can see more or less of it. It doesn’t have the orange color shift property that a Brazilian specimen from acquired from AJS Gems as well. I found all sorts of interesting artifacts in this particular tourmaline.

    These images are uncompressed and unedited with the exception of green elliptical shapes to draw your attention to certain things that I thought were of interest. Other than the interpolation for resizing with the microscope software, no revisions have been made. Note that the blue background is actually a white napkin, so the colors for some reason are off a bit. I don’t have any software to color correct things anymore since my OS upgrade-otherwise I’d illustrate both the original and color corrected versions. Unless otherwise specified, the only light source being used is the LED light source from the microscope used. No ambient light was present at the time these images were obtained; a darkroom type condition was used for the study of this particular specimen.

    Under a polariscope, and 20x magnification, there is evidence of a pink to orange pleochroism without the filters crossed over the diffused light source. With the polarizing filters crossed, there is evidence of double refraction consistent with tourmalines. I could not obtain an accurate optic sign and character with my chonoscope. Then again, I suspect this is due to the scope itself as my particular one is a pain to work with. I did see some hint of yellow towards the outside perimeter of where the optic character would be, thus suggesting it’s negative. Tourmalines for the most part are uni-axial negative with some exceptions.
    Additionally, when I placed the stone directly over the bottom plate, I did see a lot lighter color and one portion of some growth rings. They seemed to be more or less linear with minimal delineation before an arc. They didn’t appear to be completely curvilinear like you would find in a synthetic stone. This region was between the bottom quarter and third of the stone in which these were observed with diffused polarized light. There was evidence of pink color zoning much like you might see in a Ceylon sapphire of some color, and the zoning appeared to be consistent with some other smaller specimens I examined under a loupe under incandescent lighting. This zoning was isolated, and the stone in it’s entirety appeared to be anisotropic through and through with crossed and uncrossed polars. I wasn’t able to obtain imagery of this zoning due to limitations of ergonomic design of the equipment being used, but I have found it in another tourmaline specimen. That imagery will be published at a later date.

    Note the solid crystal inclusions highlited in green.
    This was originally observed with some solid inclusions near the top left region of this image adjacent to each other at 30x that illustrate some misshapen inclusions. However, further examination of this image shows what looks like a terminal end on 2 crystals side by side. These appear to be in tact. Note the reflection off the faces of the one terminal end. These 2 are circled in green. This misshapen part could suggest thermal enhancement or some other thermal event that occurred naturally. However, the terminal ends suggest an absence of thermal enhancements.
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  • This is the Burma spinel I got from AJS Gems under darkroom illumination with my LED light source from my microscope, and a portable blacklight for a UV-A light source.

    You can see how the stone appears naturally before turning the UV light on. Then you can see how it turns to a brown color as if it were absorbing the light. When the light goes off, it’s a dark brown color. However, it does gradually obtain its color back in time. There is no sign of phosfluorescence, and there is a total lack of fluorescence thus indicating it is a Burma spinel.

    The orangey red variety from Mogok mine has a very high absorption rate within a window of the latter range of IUV to the lower end of VIS. I obtained a general graph of how spinels of different colors from Mogok behave under IR spectroscopy, and the graph shows the absorption rate of spectra within the lamp as being highest. A vivid red spinel is slightly less. There was no information available for spinels from Tanzania, but it’s a tell tale indicator of origin.

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  • Further exploration of Joe the Aspiring Designers Cornflower Blue Sapphire to learn more about its origin and treatments…

    This is a darkroom view with the table facing up. The cat scratch type inclusions that are more or less parallel and linear are rutile crystals forming long needles. These arent the same types of needles you see as text book examples, but these are rutile inclusions in crystalline form that appear in various corundum from various places. The nail head type inclusion near the bottom is also seen in Madagascar rubies as well as something that GRS has imagery of in Burma sapphires. If you look near the center of the image, there appears to be another faint set of rutile crystals, and what you might call a fingerprint type inclusion. Other imagery suggests this liquidy yellow field is a field of F-phlogobites based on sources contributing to GRS. These things are found in Madagascar sapphires. You can see the crystals near the top of the image out of focus…

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  • Dear Arnold, Rung, Matt and staff,

    I got my opal today to add to my collection. Today is a fitting day for these things as this day has a significant meaning to me.

    When I first saw the picture of the opal, I could tell 2 things right away. I knew it wasnt a synthetic by looking at the patterns of colors. That was readily obvious to me. The second thing I noticed before I even looked at the origin, I knew this was an Aussie opal. Someone wonders how I could tell, but its very easy. There is a bit of a floral pattern and an oriental character there, and you dont see that with synthetics. Lab created opals have a tell tale chicken wire pattern that you can sometimes make out with the unaided eye. The picture resembles nothing of the chicken wire pattern in the colors, or a lizard skin effect. Having said that, when you see that yellow flash, there is only one place that you see that yellow flash. Usually its either Lighting Ridge or some other locality. Regardless, this is without a doubt an Australian opal

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  • Below is another post from our good friend and AJS Gems customer Joe the Aspiring Designer, with his research and findings on a certain cornflower blue sapphire he bought from us a while back…

    See the Video

    Dear Arnold, Matt, Rung, and whomever else I might be missing:

    I hope this finds you all well. Despite the fact I cant indulge in my hobby of collecting colored stones due to this ever so great economy and the like, I do enjoy studying these things and what I have acquired. I am happy to provide proof of a discovery I have long since suspected, and I am pleased to announce to you my finding. I am sure youll agree. :-)

    I wanted to forward you a micrograph I took of a sapphire I bought from you guys back in the very final days of 2006. I have a portable digital microscope, and I managed to obtain this image at 95 magnifications. If you look in the lower left quadrant of the image, youll see what appears to be intact corundum crystals. If you notice towards the center left of the image, you can make out of there what appears to be something shaped like an intact biotite crystal.

    Cornflower Blue Sapphire Magnification

    I have another image at around 45-50 magnifications that shows what appears to be rutile needles that are intact. This stone was said to have been heated. When I first looked at it over nearly 2 years ago, I noticed things that suggested the stone was in fact unenhanced. I think this is a good illustration as to how if you do make an error, it is in favor of the end customer on the side of caution.

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  • The following is a post from Joe the Aspiring Designer, a longtime AJS Gems customer. Joe had been planning on purchasing a Burmese red spinel for some time, and here are his thoughts and discoveries on this gemstone.

    Dear Arnold, Matt, Rung and staff,

    I just got my 2.11 carat Burma spinel today. This is definitely an interesting piece to say the least, and I dont say that in a bad way at all. Ive been contemplating a spinel for a little bit now. I was debating the one that was featured in your newsletter that featured spinel, but I see someone didnt debate it as much as I did and bought it. Thats OK though. I am quite pleased with this spinel.

    Joe's 2.11 Burma Spinel

    My first reaction when I saw the thing through the bubble pack was there was a little too much tone. That was through the bubble pack. I thought to myself, watch this thing jump out when I take the bubble pack off. Sure enough, it jumped out all right…

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